Albert Einstein would be shocked or ecstatic at how the principles of time, space, matter and movement are upended in X-Men: Days of Future Past. Sports stadiums are wrenched from the earth and fly through the air, dimensions are crossed so quickly that the blink of an eye is like the passing of an age, and – giving the film its premise – time travel is not only possible but necessary.
Anyone who hasn’t seen the previous films in the series will be a little bit at sea initially but there is enough back story artfully included to soon get a bearing on the storyline. We begin in 2023, when the world, marshalled by Dr Bolivar Trask [Peter Drinklage], has declared war on those who are different, the mutants. Invincible, impervious machines, the Sentinels, hunt down survivors where ever they are to be found.
The only solution is for old foes, and older friends, Professor Charles Xavier [Patrick Stewart] and Eric Lehnsherr (aka Magneto) [Ian McKellen] to work together and change the past. Kitty Pryde [Ellen Page] can send the consciousness of a person back in time to occupy their earlier bodily selves – provided they can withstand the physical trauma involved. Step forward the near indestructible Logan (aka Wolverine) [Hugh Jackman].
He wakes up in an interesting not to say compromising and very funny situation in 1973, an old head on young shoulders. Acclimatising, like the viewer, to the vintage glories of seventies style and colour, the rest of the film follows his efforts to find the younger versions of Xavier (James McAvoy) and Eric/Magneto (Michael Fassbender) and convince them of what the future holds and what they need to do about it.
If all went straightforwardly of course we wouldn’t have much of a story, suspense or spectacular scenes. Needless to say then a cosy little chat over biccies and tea won’t sort things out, and we’re soon watching an elaborate prison break to spring Magneto – a sequence that incidentally contains one of the funniest scenes in the whole film.
With the gang all assembled and briefed, the hunt is on for Raven/Mystique [Jennifer Lawrence] who is the key to all that transpires in the future. To produce a new reality they have to find her. All the while back in 2023 the last refuge of the mutants, including Xavier, Magneto, Pryde and Wolverine, is under fierce assault by legions of Sentinels. Will Wolverine succeed in 1973? Or will the machines complete the annihilation before he can?
It’s a testament to the success of the film – and the assemblage of acting talent on show – that the audience in the cinema where I was stayed glued to their seats all the way through, and tensed ever more on the edge of those seats as the resolution of events approached.
Mixing the fun, including some great one liners, with the serious and artfully blending in real life characters – Richard Nixon turns up at a crucial stage of the plot, complete with a knowing nod to tape recorders – X-Men: Days of Future Past has an emotional depth not always or even often seen in films of this type. A spectacle with substance.
Almost all of the audience stayed in their seats when the credits started rolling, which puzzled me somewhat. Obviously I was in the presence of informed fans. That or I’m a bit dopey. Or both. Anyway, those who stay till the very end will see a fleeting glimpse of the next instalment in the series: X-Men: Apocalypse.